Friday, July 30, 2010

Plein Air Painting: Taking Your Paints Outside

Last week I was gifted with a ‘plein air’ watercolor workshop given by Lynn Onley.  Plein air painting is a familiar concept today, but in the late 1800s when the Impressionists ventured out of their studios into nature to investigate and capture the effects of sunlight and different times of days on a subject, it was quite revolutionary.  We met at Porteau Cove, which is situated overlooking Howe Sound, 38 km north of Vancouver on the Sea-to-Sky Highway on the way to Whistler. Interestingly, I learnt that an old ship has been sunk in the bay, so as well as attracting outdoor enthusiasts, scuba divers and marine biologists come here to explore  the depths of the ocean.  A pebble beach slopes gently into Howe Sound in Porteau Cove. On summer days when the tide is low and the sun high, the warm rocks heat the incoming waters, making swimming here a pleasure. Lynn Onley who gave the workshop, is the daughter of Toni Onley, one of Canada’s most celebrated artists. His landscapes have always provided a special significance for Canadians in reviving an appreciation for our surroundings. Lynn Onley following in her father’s footsteps is an accomplished artist herself.  I felt very privileged, and excited to have the opportunity to learn the art of watercolor from Lynn Onley as passed down to her from her celebrated father Toni Onley.

 Lynn Onley Porteau Cove 2010  
The view of the scene I painted with instruction from Lynn Onley
Lynn Onley Porteau Cove 2010
Lynn Onley painting Plein Air in Porteau Cove using her father, Toni Onley’s paint box

Lynn Onley painting Plein Air in Porteau Cove using her father, Toni Onley’s paint box and his wood and canvas folding chair.  The first step is to lay in the color washes for the sky, and while still wet take tissue and blot to make the clouds.  The next step is to paint in the mountains, using the ‘soup’ as Lynn calls it, which is the remaining mixture from the sky as the base to add the next colors to.  Lynn showed us how to mix Alizarin Crimson with Sepia, to tone it down, to paint in the slab-like chunks of red granite showing in the mountains.

 Lynn Onley Porteau Cove 2010 
Lynn Onley demonstrates watercolors techniques

Then Lynn added in the ocean, and next the shore, and then trees.  At this point you can continue to add more detail, or take the painting home to finish.  I had to leave at this point with my water color still needing more work.  I took it with me on my trip to Desolation sound and added in more detail, working from memory and being further inspired by the colors and light in the more northern atmosphere of Desolation Sound – Desolation Sound is at the 52nd Parallel, while Porteau Cove is at the 49th Parallel.  Thanks Lynn for the inspiring day!!

Porteau Cove 2010 Patricia Gray 
My finished watercolor of Porteau Cove after a morning of instruction from Lynn Onley.
11” x 15” on 140 lb watercolor paper , Windsor Newton paints

A pebble beach slopes gently into Howe Sound. It was low tide so the green moss on the rocks usually below the water line was showing.  We started painting at 10:00 AM, and the sky, cloud formations, and shadows on the water were constantly changing as the sun and tide line changed.

Porteau Cove 2010
The dock at Porteau Cove.

Porteau Cove 2010
The granite mountains above Porteau Cove on the highway to Whistler.
 

 Porteau Cove 2010 Porteau Cove 2010

These pictures are of the beautiful tree I sat under while painting at Porteau Cove.  I took these pictures as inspiration – possibly for my next water color.

Van Gogh, in a letter to his brother, claims to
“devour nature ceaselessly,”
and finds himself  
“in surroundings which entirely engross me,
which so order, fix, regulate, renew and enlarge my thoughts
that I am quite wrapped up in them.” 

Toni Onley Toni Onley

Toni Onley 1928 – 2004, one of Canada’s most celebrated artists, painting Plein Air.

Porteau Cove 2010
Map of Porteau Cove

Patricia Gray Inc is an award winning Interior Design firm  in Vancouver, Canada who blogs about Lifestyle and WHAT'S HOT  in the world of Interior Design.
2010 © Patricia Gray | Interior Design Blog™

Thursday, July 29, 2010

Desain Pintu Gebyok Jati


Ornamen ukir kembali menjadi ikon dalam desain pintu berikut. Selain menghiasi architrave, Ornamen ukir ini juga tampil pada daun pintu. Pilihan finishing warna coklat tua menampilkan kesan dramatis. Handle gelang dan ornamen paku-pakuan besar juga di gunakan untuk menambah nuansa etnik.
 Model : Pintu Ayun dua daun sama lebar
Material : Kayu Jati 

back ornament into icons in the next door designs. Besides decorating architrave, carved Ornamentation is also appearing at the door. Sepia finishing option displays a dramatic impression. Handle bracelets and ornaments of large ferns are also used to add ethnic nuance.
Models: Door Swing same two broad leaves
Materials: Teak Wood
Sumber : http://www.gebyokjati.blogspot.com

Saturday, July 24, 2010

Keindahan Ukiran Gebyok Jati


 Keindahan ukiran gebyok jati memang benar-benar nyata, kesan klasik otomatis akan muncul, Hasil karya kerajinan gebyok ini tidak akan begitu saja di lewatkan bagi para pencinta pintu gebyok dan tidak akan 
lekang oleh waktu.
The beauty of teak carvings gebyok really real, classic impression will appear automatically, crafts gebyok result will not just miss out for the lovers in the door and will not gebyok timeless.

Sumber : http://www.gebyokjati.blogspot.com

Thursday, July 22, 2010

Kaca Patri Minimalis Bevel


Penambahan ornamen bevel pada kaca patri akan keliatan lebih bening, modern dan mewah. Apabila rumah anda bernuansa modern coba terapkan motif kaca patri minimalis secara simetris. 
Free Desain Kaca Patri.
 Addition of stained glass ornaments bevel on plasticity will be more clear, modern and luxurious. When your house trying to apply the nuances of modern minimalist motifs symmetrically stained glass. Free Design Stained Glass
Sumber : http://www.djavaglass.blogspot.com

Tuesday, July 20, 2010

Desain Pintu Etnik Minimalis


Pintu ini mencoba untuk menggabungkan antara karakter desain minimalis dengan karakter etnik. Hasilnya, beberapa simbol etnik tetap muncul walaupun proporsi yang tidak terlalu dominan. Pintu pun cenderung tampil "bersih" sesuai dengan karakter desain minimalis.
 Model : pintu ayun dua daun sama lebar
Ukuran (lebar x tinggi) : 150cm x 245cm
Finishing : Melamik coklat muda
Aksesories : Handle dan Ukiran tempel

The door is trying to merge between the characters of minimalist design with ethnic characters. The result, some ethnic symbols still appear even though the proportion is not too dominant. The door tends to appear "clean" in accordance with the character of minimalist design.

Sumber : www.gebyokjati.blogspot.com

Monday, July 19, 2010

Desain Pintu Etnik Minimalis


Desain Pintu berkarakter etnik minimalis ini memiliki Architrave kukuh yang menyerupai Gapura. Dikatakan etnik Minimalis karena ornamen ukiran pada pintu ini hanya tampil pada bagian tengah daun pintu serta sudut atas Architrave. Finishing Art natural yang di pilih serasi dengan warna dinding.
Model : Pintu ayun dua daun sama lebar
Ukuran (lebar x tinggi) 160cm x 210cm
Finishing : Politur natural
Aksesories : Handle gelang dan Ukiran

Ethnic character minimalist door design features resembling a sturdy gate architrave. It said ethnic Minimalist because ornaments carvings on this door appear only at middle and upper corner of the door architrave. Finishing Art in select natural match wall color. 
Model: two-leaf swing doors the same width 
Size (width x height) 160cm x 210cm 
Finishing: natural camphor 
Accessories: bracelets and Carving Handle

Sumber : http://www.gebyokjati.blogspot.com

Sunday, July 18, 2010

Cara membuat kaca patri



Tahap pembuatan kaca patri :
  1. Pembuatan dan penentuan pola desain kaca patri sesuai keinginan.
  2. Pemotongan kaca mengikuti pola yang sudah di buat.
  3. Perakitan kaca yang sudah di potong tadi di satukan mengikuti sesuai pola yang sudah ada.
  4. Pematrian kaca menggunakan solder agar semua potongan kaca dapat di satukan.
  5. Proses pendempulan/sealant kaca patri antara sela-sela kaca dan timah/kuningan.
  6. Dan terakhir masuk pada Proses Finishing ini bertujuan agar material timah/kuningan kaca patri tidak mengalami korosi.
 Aplikasi kaca patri di kategorikan menjadi 3 bagian :
  • Singel glass
  • Double glass
  • Triple glass
Sumber : http://www.djavaglass.blogspot.com